Approaching the Divine

The Integration of Āḻvār Bhakti in Śrīvaiṣṇavism is situated in the context of the ongoing scholarly debate regarding the historical evolution of Tamil Śrīvaiṣṇavism. This study spans the period from the second half of the first millennium, i.e. the bhakti period to the period of consolidation of the scriptural and sectarian tradition in the first half of the second millennium. Traditionally, the lives of the bhakti saints have been used to understand their hymns. Examination of these hagiographies through the lenses of theology, caste, sectarian conflict and popular legends, however, suggests that these life stories might themselves be constructs of the latter period, and are governed by socio-economic and political impulses as much as by spiritual ones. This work attempts to trace the process whereby a Sanskritic brahmanical tradition and a devotional Tamil folk tradition were knit together, arguing that the ways in which the saint-poets’ hymns were interpreted and integrated contained elements of both continuity and change.

ISBN10: 9384082139
ISBN13: 9789384082130
Number Of Pages: 362
Publication Date: 20150910
Publisher: Midpoint Trade Books
Binding: Hardback
SKU: 9789384082130
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Approaching the Divine: The Integration of Āḻvār Bhakti in Śrīvaiṣṇavism is situated in the context of the ongoing scholarly debate regarding the historical evolution of Tamil Śrīvaiṣṇavism. This study spans the period from the second half of the first millennium, i.e. the bhakti period to the period of consolidation of the scriptural and sectarian tradition in the first half of the second millennium. Traditionally, the lives of the bhakti saints have been used to understand their hymns. Examination of these hagiographies through the lenses of theology, caste, sectarian conflict and popular legends, however, suggests that these life stories might themselves be constructs of the latter period, and are governed by socio-economic and political impulses as much as by spiritual ones. This work attempts to trace the process whereby a Sanskritic brahmanical tradition and a devotional Tamil folk tradition were knit together, arguing that the ways in which the saint-poets’ hymns were interpreted and integrated contained elements of both continuity and change.